⭐ Mask (2025) Movie Review: Kavin & Andrea Deliver Fleeting but Engaging Entertainment Rating: ⭐⭐⭐☆☆ (3/5) Release Date: Nov 23, 2025 Reviewed by: Abhinav Subramanian

Mask marks another unconventional choice for Kavin, who continues to carve his own space with offbeat roles. Directed by Vikarnan Ashok, the film dives into a morally grey world where everyone hides behind a mask—literally and metaphorically.

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🎭 Synopsis

Velu (Kavin) is a street-smart hustler who survives through hacking, scams, and blackmail. He loves to claim an “ethical” approach to his crimes, even though that’s just another part of his persona. His path crosses with Bhumi (Andrea Jeremiah), a respected NGO leader—or so it seems.

Behind the philanthropic façade, Bhumi runs a powerful sex-trafficking network, grooming young girls under the guise of rescuing them. Her influence stretches all the way to Manivannan (Pawan Krishnaa), a politician who needs ₹400 crores of laundered money for his upcoming election.

When a mysterious masked gang steals her cash, Bhumi forces Velu—by threatening his family—to retrieve it. Only someone as cunning and morally flexible as Velu can navigate this world of deceit.

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🔍 Review

Mask works best when it embraces its morally ambiguous characters. No one is entirely good or bad, and that makes the interactions unpredictable and entertaining.

✔ Strong Character Foundations

Director Vikarnan Ashok establishes each character’s core traits with clarity:

• Velu solves cases while simultaneously exploiting clients

• Bhumi runs her criminal empire with a terrifying mix of efficiency and dominance

• Manivannan hovers as a political powerhouse tied into the web

This setup lends itself naturally to dark comedy, especially when terrible people are forced to deal with even worse situations.

✔ Where It Falters

While the premise is intriguing, the film often feels surface-level:

• Velu’s moral compass is explained repeatedly through dialogue instead of being shown organically

• Bhumi’s past with Manivannan is rushed and told through exposition

• Ruhani Sharma’s romantic track with Velu doesn’t blend seamlessly with the main plot

The movie has all the ingredients for a deeper, richer character drama but settles for lighter engagement.

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🎭 Performances

🎬 Kavin as Velu

Kavin is perfectly at home in quirky, unconventional roles. He delivers charm, mischief, and unpredictability with ease.

🎬 Andrea Jeremiah as Bhumi

Andrea steals the show.
Fierce, intense, and commanding, she elevates the material—even when the script does not fully match her energy.

🎬 Supporting Cast

• Pawan Krishnaa holds his ground as the menacing political figure

• Ruhani Sharma provides a gentle contrast, though her romantic subplot feels detached

• GV Prakash’s background score adds energy and attitude throughout

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⭐ Final Verdict

Mask is like a dish that looks fantastic but tastes just “good enough.”
You enjoy it, have a few laughs, appreciate the performances—but you move on once it’s over.

If you like dark comedy, morally grey characters, and sleek performances by Kavin and Andrea, Mask offers light, fleeting entertainment.

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Sweetheart – சினிமா விமர்சனம் மொத்த மதிப்பீடு: ★★☆☆☆ (2/5) — Too many flashbacks, too little direction 🎬 கதை (Synopsis) Sweetheart ஒரு ரொமான்டிக் க்ளொமெடியாகும், இதில்: வசு (Rio Raj) — ஒரு அணிமேட்டர், பிணைவில்லாத தன்மை கொண்டவன். மனு (Gopika Ramesh) — அவன் காதலி, அவள் கர்ப்பம் ஆனதை அவர் அறிவது கதையை திருப்பம் செய்யிறது. வசு ஓட மறைக்குமா அல்லது “டோசமான மனிதராக” வளருமா என்பதை தீர்மானிக்க வேண்டிய நிலைமையை சந்திக்கிறான்.

 

✅ வலிமைகள்

• அட்ரியா ராஜ் (Rio Raj) — வேதனையையும் அழுத்தத்தையும் சித்தமாக காட்சி செய்யான்; அவனுடைய “இணங்காவிட்ட தன்மை” நல்ல புரிதலை கொடுக்கும்.

• Gopika Ramesh — மனுஷ்தரமான ஒருபக்கம்; அவளது நடிப்பு உணர்ச்சியோடு இருக்கிறது, அவளது பாதிப்பில் நடிக்க அவருக்கு சாத்தியம் பாதிக்கப்படவில்லை.

• இசை: Yuvan Shankar Raja பாட்டு /_BACKGROUND ஸ்கோர் சினிமாவுக்கு ஒரு மென்மையான உயரத்தை தருகிறது; இசை சில தருணங்களை நன்கு முன்னேற்றுகிறது.

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❗ குறைகள்

• அதிகமான Flashbacks — கதையில் திரும்பியும் திரும்பியும் பிளாபேக்குகள், இதனால் முன்னேற்றம் மெல்லிசையாக நடக்கிறது; “temporal whiplash” என்று விமர்சனம் கூறுகிறது.

• நேரநிலை கோட்டுக்கள் (Pacing) — முதல் பாதியில் கர்ப்ப உறுதிப்படுத்தும் துணைத்தொகுப்பு மிக நீளமாக உள்ளது.

• காமெடி பாத்திரம் தவறியது: Senthil (வசுவின் நண்பர்) காமெடி “manic energy” உடையது, ஆனால் அவனது gag-கள் ஒரே மாதிரி மறு மறு வரும், சிரிப்பிற்கு பதிலாக சோர்வு தருகிறது.

• கதாபாத்திரத் தவறுகள்:

  • மனுவின் வீட்டில் ஒரு சிறிய பிள்ளை “பரிசோதಕ” (spy) மாதிரி நடிக்கிறான் — நேர் கதையில் பொருந்தாத ஒரு வளைவு.

  • சில பாத்திர முடிவுகள் “இலாபரியான லாஜிக் இல்லாமல்” தோன்றுகிறார்; இது பொது கதையில் கவனத்தை பறிக்கிறது.

• நேரடி பரஸ்பர உறவு: நடிப்பில் மைய ரொமான்ஸ் உறவுக்கு ஆலோசனைகளின் தோற்றம் சில நேரங்களில் போதுமான கவனம் பெறவில்லை என்று விமர்சனம் உள்ளது.

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🔍 தயாரிப்பு & இயக்கம்

• இயக்குனர்: Swineeth S. Kumar — அவர் கதையின் பொருளை சுருக்கமாகச் சொல்வதில் சிக்கல்களை எதிர்கொள்கிறார்; சில துணைக்கதைகள் மிகவும் நீளமாக ஊர்த்தப்படுகின்றன.

• எழுத்து: சினிமா எழுதப்பட்ட நிலையில், கவனம் செலுத்த வேண்டிய பாயிண்டுகள் இருந்தும், அதை ஒழுங்காக முன் கொண்டுச் செல்ல முடியாமல் போவது ஒரு முக்கிய குறையாகிறது.

• தொகுப்பு: பிணை, “கமிட்‌மெண்ட்” பயம் மற்றும் குடும்ப மோதல்களை சிறப்பாக இணைக்க வேண்டும் என்ற யோக்கம் இருந்தாலும், தொகுப்பு மிகவும் சீரற்றதாக உணரப்படுகிறது.

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🧾 மொத்தக் கருத்து

Sweetheart ஒரு அழகான தொடக்கக் கனவோடு வந்தாலும், அது அதன் கதையை முழுமையாக நவீன ரொமான்ஸாக மாற்ற முடியவில்லை. அதில் அதிகமான மாற்றக் காட்சி (flashback) மற்றும் வளைவான கதாபாத்திரங்கள் ரசிகர்களை முழுமையாக செந்தரிக்க உதவவில்லை. இசை மற்றும் நடிப்பு சில நேரங்களில் சிறந்த தருணங்களை வழங்குகின்றன, ஆனால் காமெடி மற்றும் கதையின் மையக் கருத்து போதுமான கவனம் பெறவில்லை.

இது ஒரு ரொமான்ட் காமெடி என்று சொல்லும்போது, “காம்” (comedy) சரியாக நிலைநிறுத்தப்படவில்லை, “ரோம்” (romance) கூட சில நேரங்களில் தொலைவாக நடக்கிறது.

முடிவு: “நிச்சலமான தொடக்கம், ஆனால் கதையின் முழு சாத்தியம் பயன் படுத்தப்படவில்லை.”

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💡 மேம்படுத்தப்பட வேண்டியவை

• கதை முறையே சுருக்கமாக சொல்லும் வழிமுறைகளை எடுத்துக்கொள்ளலாம் — Flashbacks ஐ குறைத்தல் அல்லது சீரான கட்டமைப்பிற்கு மாற்றுதல்

• காமெடி பாத்திரங்களை மீண்டும் மதிப்பாய்வு செய்யவேண்டும் — gag-கள் மற்றும் வேலையின் வகை சீரமைக்கப்படலாம்

• துணைபாத்திரங்கள் (supporting characters) கதையின் மையக் கோணங்களுடன் நன்கு இணைக்கப்பட வேண்டும், முடிந்தால் தேர்ந்த கட்டுரைகள் (“character arcs”) செம்மைப்படுத்தப்பட வேண்டும்

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நீங்கள் விரும்பினால், நான் Sweetheart சினிமாவின் கோபி-பாயிண்ட் ஸ்கிரிப்ட் சுருக்கம் (Plot + Character Arc) எழுதலாம். அதைப் பற்றி சேர விரும்புவீர்களா?

 

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Baramulla review: A gripping thriller that falters under its own weight Baramulla movie review: The Manav Kaul-starrer unravels in the way it tries to mix its allegorical elements with inconsistent plot-points.

 

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🎬 Baramulla Movie Review: A Haunting Mystery Undone by Heavy-Handed Storytelling

There’s something deeply unsettling brewing in Baramulla. Young children are disappearing without a trace, casting a disturbing shadow over the otherwise picturesque Kashmir valley. Into this eerie setting arrives DSP Ridwaan Sayyed (Manav Kaul), accompanied by his wife Gulnaar and their children, Noorie (Arista Mehta) and Ayaan (Rohaan Singh). What begins as a routine investigative posting quickly spirals into a nightmare Ridwaan has never confronted before.

Produced by Aditya Dhar and directed by Aditya Suhas Jambhale, Baramulla opens with remarkable impact. A street magician invites a child into a box—only for the boy to vanish mysteriously. This chilling magic-trick-gone-wrong sets off a frantic search, thrusting Ridwaan and his team into a maze of questions that only deepen with time. Who is behind the disappearances? What secrets lie hidden inside the locked room on the second floor of Ridwaan’s creaky, old wooden house? As the narrative progresses, secrets, lies, and betrayals rise from the shadows like smoke seeking release.

🌫️ A Terrific Start Filled With Atmosphere

The film’s opening act is gripping. Jambhale crafts an atmosphere thick with dread. The valley’s misty landscapes, the old timber homes, and Kashmiri cultural details—especially the everyday pherans and rooted accents—lend the film a striking authenticity.

The characters feel lived-in:

• Manav Kaul is superb as the battle-scarred cop carrying emotional baggage.

• Bhasha Sumbhli convincingly portrays a wife trying desperately to keep her family—and particularly her traumatised daughter—intact.

• The film also uses a recurring image of a bruised white flower, a symbolic reminder of the valley’s pain.

• The special effects amplify the horror undertones, reinforcing an unsettling sense of foreboding.

⚠️ But the Narrative Soon Shows Its Hand

Despite its promising start, Baramulla begins to unravel as it reveals its true intentions. The film attempts to weave a political allegory with the horrors of Kashmir’s troubled past—particularly the targeted killings and forced exodus of Kashmiri Pandits. While this tragic chapter absolutely deserves exploration, the film’s handling becomes increasingly loud and accusatory, overshadowing its mystery-thriller essence.

The inclusion of cross-border terrorists engaged in “farming innocents” feels jarringly obvious. Instead of weaving these elements with subtlety, the script leans into forcefulness, sacrificing nuance for blunt statements. What begins as an eerie mystery gradually shifts into a narrative that pokes repeatedly at wounds without offering meaningful closure.

🎭 Performances That Hold the Film Together

If the story falters, the performances keep the film afloat:

• Manav Kaul anchors the narrative with controlled intensity.

• Bhasha Sumbhli adds emotional depth.

• The young actors, Arista Mehta and Rohaan Singh, perform naturally despite the heavy themes.

The supporting cast, including Aswini Koul and Shahi Laitief, contributes well to the film’s ambience.

📉 Final Verdict

Baramulla begins as a beautifully atmospheric mystery with potent performances and a strong sense of place. However, as the narrative becomes entangled in its allegorical messaging and inconsistent plot threads, it loses the delicate balance it starts with. What could have been a haunting thriller becomes a film burdened by heavy-handed symbolism and unresolved emotional beats.

⭐ Baramulla Movie Rating: ★★☆☆☆ (2/5)

A visually compelling film that ultimately falters under the weight of its own messaging.

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🎥 Baramulla – Film Details

• Director: Aditya Suhas Jambhale

• Producer: Aditya Dhar

• Cast: Manav Kaul, Bhasha Sumbhli, Arista Mehta, Rohaan Singh, Aswini Koul, Shahi Laitief

• Genre: Mystery / Thriller / Drama

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‘Kishkindhapuri’ Movie Review: A Familiar Yet Engaging Horror Ride Telugu cinema’s fascination with horror-thriller hybrids continues with Kishkindhapuri, directed by Koushik Pegallapati and starring Bellamkonda Sai Sreenivas alongside Anupama Parameswaran. The film promises a mix of horror, humour, mythological undertones, and emotional drama — and while it doesn’t reinvent the wheel, it delivers a fairly watchable experience.

  

A Familiar Premise with a Twist

The story begins with a haunting tragedy at a radio station in the 1980s and later transitions into a modern-day setup. Raghav (Bellamkonda Sreenivas) and Mythili (Anupama Parameswaran), a couple deeply in love, run “ghost walking tours” that exploit the fears of their participants. What starts as playful theatrics soon turns into a real paranormal experience when the duo and their customers enter an abandoned building harboring sinister secrets.

The film opens with a cleverly designed Ramayana-inspired touch — Kishkindhapuri is portrayed as a “monkey kingdom,” and Raghav’s heroism is introduced through a daring rescue at a Hanuman temple. The mythological flavor adds depth, even if it occasionally feels surface-level.

Storytelling and Style

Koushik Pegallapati’s direction keeps the pace brisk and the tone balanced between suspense and humour. The screenplay avoids excessive melodrama and instead focuses on maintaining tension through clever jump scares and witty moments. The self-aware humor, especially scenes involving fake ghost stories gone wrong, works well and provides a breather from the eerie atmosphere.

The flashback segment, presented through an unreliable narrator, is one of the film’s standout storytelling choices. It cleverly blurs the line between truth and illusion, adding intrigue to the spirit’s identity and motivations. However, as the climax approaches, the film’s momentum falters, leaning too heavily into conventional superstition and ritual tropes.

Performances

Bellamkonda Sai Sreenivas delivers one of his more grounded performances, showing a believable mix of strength and vulnerability. Anupama Parameswaran complements him well, managing both emotional and suspense-driven scenes with ease. Supporting actors like Sudarshan, Hyper Aadi, Tanikella Bharani, and Makrand Deshpande add texture to the narrative, while Sandy (Visravaputra) impresses yet again with his raw intensity.

Technical Aspects

Composer Sam CS enhances the horror mood with an atmospheric score, though the music sometimes feels overbearing in the final act. The cinematography successfully blends the two timelines, while the production design effectively captures the eerie essence of Kishkindhapuri’s haunted locations. However, the sound and art direction occasionally feel inconsistent, slightly weakening the immersion.

Verdict

Kishkindhapuri is a horror entertainer that knows its limits. It doesn’t aim for groundbreaking innovation but sticks to a formula that works for mainstream audiences. Drawing influences from Kanchana 3, Virupaksha, and Ekkadiki Pothavu Chinnavada, it still manages to carve out a space for itself through clever pacing, a strong lead performance, and a few smart twists.

If you’re looking for a weekend watch that keeps you engaged without demanding too much, Kishkindhapuri fits the bill — a safe yet satisfying horror outing that blends myth, suspense, and masala in equal measure.

Rating: ⭐⭐⭐ (3/5)

Watch it for Bellamkonda’s performance, the playful narrative, and the intriguing flashback twist.\

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‘Dude’ movie review: Pradeep Ranganathan’s goofiness powers this Gen-Z love tale While Pradeep and Mamitha Baiju score, the other characters could have shone too with better writing

 

Dude (2025)

🎬 Quick Facts

• Director: Keerthiswaran (debut) (Wikipedia)

• Cast: Pradeep Ranganathan (Agan), Mamitha Baiju (Kayal) + Sarath Kumar in a key role. (Wikipedia)

• Genre: Romantic comedy with Gen-Z flavour & social commentary

• Release Date: 17 October 2025 (Diwali) (Wikipedia)

• Runtime: Approx. 140 minutes (The Times of India)

• Language: Tamil (with broader release) (Wikipedia)

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✅ What Works

• Pradeep Ranganathan brings his familiar goofy-charm and is at his best in humorous scenes and in certain emotional moments. (Wikipedia)

• Mamitha Baiju holds her own — especially when her character is caught in conflict and emotional tug-of-war. (Wikipedia)

• The film’s first half has enough spark and novelty: fun setups, vibrant frames, good chemistry between the leads. (Lensmen Reviews)

• Music & cinematography get positive nods: colour-pop frames, a song sequence shot in live-location Chennai (‘Oorum Blood’) stands out. (Wikipedia)

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⚠️ Where It Falters

• The second half is widely considered uneven: the momentum drops, writing becomes slack, and character arcs stretch thin. (www.greatandhra.com)

• Supporting characters and subplots are under-written: e.g., Sarath Kumar’s arc has potential but changes feel abrupt and convenient. (Wikipedia)

• Some viewers feel that while the film promises something fresh, it doesn’t fully deliver in terms of narrative depth — especially for its length. (Lensmen Reviews)

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🎯 Thematic & Style Highlights

• The film explores friendship-turning-to-love between childhood companions (Agan & Kayal) in a modern, “Gen-Z” style context. (Wikipedia)

• It plays with familiar Tamil-cinema tropes (weddings, family expectations, social status) but attempts to infuse fresh treatment and humour. (Baradwaj Rangan)

• The tone swings between light comedy and serious relational drama — when balanced, it works; when not, the shifts feel jarring.

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📌 Verdict

If you’re heading to the theatre for a fun, youthful romantic entertainer and are a fan of Pradeep Ranganathan’s style, Dude is worthwhile. It has moments of real charm and loads of good will. However, if you expect tight narrative, deep character arcs and flawless craft, you may feel some disappointment in the latter part.

Rating Estimate: ~3 / 5 stars (depending on which half you weigh more heavily)

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📝 Final Thought

“Dude” marks a solid step for Pradeep Ranganathan as a lead who can carry a commercial entertainer with heart. The film’s strengths lie in screen presence, moments of freshness, and style. Its weaknesses lie in conventional writing and pacing issues.

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Would you like me to pull together a detailed breakdown of the film’s key sequences (interval block, emotional climax, music highlights), box-office performance, and OTT streaming details?

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‘Bison Kaalamaadan’ Movie Review: Dhruv Vikram Blazes in Mari Selvaraj’s Most Mainstream Yet Most Political Film

  

Here’s a blog-style review for Bison Kaalamaadan that captures its themes, performances, and cinematic brilliance for general readers:

Rating: ★★★★½ (4.5/5)

Genre: Social Sports Drama / Political Action / Biopic

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Mari Selvaraj’s Bison Kaalamaadan is a thunderous, emotionally charged film that lands every punch it throws — be it against caste oppression, systemic discrimination, or the politics embedded in sports and identity. With a searing performance from Dhruv Vikram, this is Mari’s most accessible work yet, without compromising his trademark political edge.

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🏆 A Story Rooted in Pain and Perseverance

Inspired by the life of Arjuna awardee Manathi Ganesan, Bison Kaalamaadan follows Kittaan, a young boy with dreams of becoming a national Kabaddi champion. But his journey is anything but straightforward — born into a deeply divided and caste-torn town, Kittaan must fight not just on the Kabaddi mat, but against a world that constantly tells him he doesn’t belong.

From feuding caste leaders to family conflicts, and from personal loss to institutional bias, every step forward for Kittaan is a rebellion. He doesn’t just play Kabaddi — he survives through it.

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🎭 Dhruv Vikram’s Fiery Transformation

In what is arguably his most defining role yet, Dhruv Vikram becomes Kittaan — physically, emotionally, and spiritually. His brooding intensity, athletic transformation, and control in emotionally loaded scenes bring Mari’s hero to life. Whether he's unleashing rage or expressing quiet despair, Dhruv gives a performance that’s raw, believable, and deeply affecting.

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🎬 Mari Selvaraj’s Political Voice, Now Louder Than Ever

While Bison is Mari’s most commercially structured film (complete with montages, action arcs, and an underdog sports narrative), the political subtext is anything but diluted. This is still Mari Selvaraj — the filmmaker who weaponizes cinema to question oppressive structures. The dialogues are razor-sharp and confrontational:

“When have they ever written our names so easily?”

He doesn’t just tell a story about sport — he tells a story about identity, resistance, and what it means to win in a system that was never designed for you to succeed.

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⚔️ Caste Violence, Social Commentary, and Gut-Wrenching Visuals

Mari doesn’t shy away from showing the brutalities of caste violence. The film features scenes that are graphic, chilling, and necessary. Two caste leaders, played by Ameer Sultan and Lal, represent the duality of power struggles — what began as a fight for justice has now turned into a thirst for dominance.

But Kittaan? He doesn’t want power. He just wants to play.

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❤️ Subtle Romance, Symbolism, and Surrealism

In an unexpected yet refreshing angle, Bison features a mature romance between Kittaan and an older woman, Rani (Anupama Parameswaran), quietly breaking yet another social norm.

Mari also layers the film with spiritual imagery — local deities, sacred goats, and haunting dream sequences — to tie Kittaan’s personal journey to a collective cultural trauma and redemption.

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🏉 Sports Drama with Real Stakes

Kabaddi, a sport not often explored in Tamil cinema, becomes the heartbeat of Bison. The matches are gritty, choreographed with intensity, and carry emotional weight. Each raid, each point scored, is not just a moment in a game — it’s a moment of defiance. The climax at the 1994 Asian Games is both a sporting high and a symbolic catharsis.

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📸 Stunning Visuals and Soundtrack

With sweeping drone shots, poetic montages, and deeply immersive cinematography, Bison is visually breathtaking. Mari brings his village to life, not as a backdrop, but as a character in itself. The music elevates the emotion without overshadowing the story — every beat, every silence, serves the narrative.

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👏 Final Verdict

Bison Kaalamaadan is more than a sports film. It’s a protest. A love letter. A battle cry.

Mari Selvaraj cements his place as the most daring and visionary voice in Tamil cinema today. And Dhruv Vikram? He’s no longer just a star kid — with this film, he’s an actor to reckon with.

If Karnan was fire, Bison is a wildfire — unpredictable, unapologetic, and unforgettable.

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⭐ Blog Highlights:

• Must Watch For: Fans of hard-hitting social dramas, political cinema, sports underdog stories.

• Don’t Watch If: You're uncomfortable with raw depictions of caste violence or heavy political themes.

• Standout Performance: Dhruv Vikram as Kittaan — a career-defining role.

• Director’s Masterstroke: Mari’s ability to blend multiple genres — sports, political action, gangster drama — into one cohesive experience.

---

What did you think of Bison Kaalamaadan? Share your thoughts in the comments!

Would you like a shorter version for social media or a visual review format?

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Idli Kadai Movie Synopsis: A young man who's about to get married into a multi-millionaire's family rediscovers his roots and decides to run his father's idli shop. Can he win back the trust of his villagers and tackle the egoistic millionaire's son, who is determined to bring him down at all cost?

Idli Kadai Movie Review: Right from his first film, Pa. Pandi, Dhanush has shown that he is attracted to stories that involves sentimentality and nostalgia. His Idli Kadai is entirely driven by these two feelings, to the extent that it feels overwhelming.

Dhanush begins the film with a prologue that shows us why Sivanesan's (Raj Kiran) idli kadai matters to Murugan (Dhanush), his son.

But when we first see him, Murugan's aspirations are far removed from his father's philosophy. While the father finds contentment in living in his small village and running his small idli shop, the son dreams of a "mempatta vaazhkai" involving big houses, cars and lots of money. And so we find him in Bangkok, working for multi-millionaire Vishnu Vardhan (Sathyaraj), being the fiancé to his daughter, Meera (Shalini Pandey), and the punch bag to his spoiled brat of a son, Ashwin (Arun Vijay). But circumstances lead to Murugan to returning to his village, where he ends up taking charge of his father's shop, which holds a special place in the hearts of the villagers. Meanwhile, an ego-hurt Ashwin is determined to bring him down at all cost.

Like with his previous film, Nilavukku En Mel Ennadi Kobam, which its tagline described as "A usual love story"

, Dhanush sets the bar low even with Idli Kadai. The film, as he informs in the title credits, is a story woven based on a place and people he had come across as a young boy. So, it's no surprise that the plot he uses to tell this tale feels like a carefully constructed one that borrows elements that we have seen in several films. Thus, we end up with an all-too familiar story that's populated by one-note characters - saintly parents, caricaturish villains, supportive school crush, scheming local, a corrupt cop with a softer side and so on. While unabashed melodrama isn't a bad thing, here, things feel calculated and quite predictable. Even the angle about Murugan choosing to stick to his father's pacifist ideology and not counter Ashwin with violence isn't explored in an interesting manner. And in trying to be rooted, there are aspects to the film - like guilt-tripping those who might have moved away from their roots (or even aspire to do so) for a better living, portraying technological advancements as inferior - that feel regressive.

That said, Dhanush does clear the bar that he has set for himself. There are moments when the emotions work

and the actors pitch in with performances that manage to elevate the simplistic way in which their characters are written. The way the romance between Murugan and Kayal (Nithya Menen) is developed also deserves mention, and feels like a new spin on the Kamal Haasan-Revathy episodes in Thevar Magan (another case of a young man with dreams of opening a chain of restaurants and engaged to a city-bred woman returning to his roots and ending up in love with a village belle). There's conviction in the filmmaking that makes us overlook several of the film's flaws. But what's hard to shake off is the feeling that given his talents, Dhanush should be more ambitious as a storyteller and not be content with just being a nostalgia merchant.

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