Baramulla review: A gripping thriller that falters under its own weight Baramulla movie review: The Manav Kaul-starrer unravels in the way it tries to mix its allegorical elements with inconsistent plot-points.

 

Here is a clean, polished, SEO-friendly BLOG-STYLE movie review of Baramulla, based entirely on the content you provided—structured beautifully for publishing.

---

🎬 Baramulla Movie Review: A Haunting Mystery Undone by Heavy-Handed Storytelling

There’s something deeply unsettling brewing in Baramulla. Young children are disappearing without a trace, casting a disturbing shadow over the otherwise picturesque Kashmir valley. Into this eerie setting arrives DSP Ridwaan Sayyed (Manav Kaul), accompanied by his wife Gulnaar and their children, Noorie (Arista Mehta) and Ayaan (Rohaan Singh). What begins as a routine investigative posting quickly spirals into a nightmare Ridwaan has never confronted before.

Produced by Aditya Dhar and directed by Aditya Suhas Jambhale, Baramulla opens with remarkable impact. A street magician invites a child into a box—only for the boy to vanish mysteriously. This chilling magic-trick-gone-wrong sets off a frantic search, thrusting Ridwaan and his team into a maze of questions that only deepen with time. Who is behind the disappearances? What secrets lie hidden inside the locked room on the second floor of Ridwaan’s creaky, old wooden house? As the narrative progresses, secrets, lies, and betrayals rise from the shadows like smoke seeking release.

🌫️ A Terrific Start Filled With Atmosphere

The film’s opening act is gripping. Jambhale crafts an atmosphere thick with dread. The valley’s misty landscapes, the old timber homes, and Kashmiri cultural details—especially the everyday pherans and rooted accents—lend the film a striking authenticity.

The characters feel lived-in:

• Manav Kaul is superb as the battle-scarred cop carrying emotional baggage.

• Bhasha Sumbhli convincingly portrays a wife trying desperately to keep her family—and particularly her traumatised daughter—intact.

• The film also uses a recurring image of a bruised white flower, a symbolic reminder of the valley’s pain.

• The special effects amplify the horror undertones, reinforcing an unsettling sense of foreboding.

⚠️ But the Narrative Soon Shows Its Hand

Despite its promising start, Baramulla begins to unravel as it reveals its true intentions. The film attempts to weave a political allegory with the horrors of Kashmir’s troubled past—particularly the targeted killings and forced exodus of Kashmiri Pandits. While this tragic chapter absolutely deserves exploration, the film’s handling becomes increasingly loud and accusatory, overshadowing its mystery-thriller essence.

The inclusion of cross-border terrorists engaged in “farming innocents” feels jarringly obvious. Instead of weaving these elements with subtlety, the script leans into forcefulness, sacrificing nuance for blunt statements. What begins as an eerie mystery gradually shifts into a narrative that pokes repeatedly at wounds without offering meaningful closure.

🎭 Performances That Hold the Film Together

If the story falters, the performances keep the film afloat:

• Manav Kaul anchors the narrative with controlled intensity.

• Bhasha Sumbhli adds emotional depth.

• The young actors, Arista Mehta and Rohaan Singh, perform naturally despite the heavy themes.

The supporting cast, including Aswini Koul and Shahi Laitief, contributes well to the film’s ambience.

📉 Final Verdict

Baramulla begins as a beautifully atmospheric mystery with potent performances and a strong sense of place. However, as the narrative becomes entangled in its allegorical messaging and inconsistent plot threads, it loses the delicate balance it starts with. What could have been a haunting thriller becomes a film burdened by heavy-handed symbolism and unresolved emotional beats.

⭐ Baramulla Movie Rating: ★★☆☆☆ (2/5)

A visually compelling film that ultimately falters under the weight of its own messaging.

---

🎥 Baramulla – Film Details

• Director: Aditya Suhas Jambhale

• Producer: Aditya Dhar

• Cast: Manav Kaul, Bhasha Sumbhli, Arista Mehta, Rohaan Singh, Aswini Koul, Shahi Laitief

• Genre: Mystery / Thriller / Drama

---

If you'd like, I can also create:
✅ WordPress HTML-format version
✅ Short, crisp Instagram review
✅ YouTube video script
Just tell me! 

 

"This Content Sponsored by SBO Digital Marketing.

Mobile-Based Part-Time Job Opportunity by SBO!

Earn money online by doing simple content publishing and sharing tasks. Here's how:

• Job Type: Mobile-based part-time work
• Work Involves:
• • Content publishing
  • Content sharing on social media
• Time Required: As little as 1 hour a day
• Earnings: ₹300 or more daily
• Requirements:
• • Active Facebook and Instagram account
  • Basic knowledge of using mobile and social media

For more details:

WhatsApp your Name and Qualification to 9943990669

a.Online Part Time Jobs from Home

b.Work from Home Jobs Without Investment

c.Freelance Jobs Online for Students

d.Mobile Based Online Jobs

e.Daily Payment Online Jobs

Keyword & Tag: #OnlinePartTimeJob #WorkFromHome #EarnMoneyOnline #PartTimeJob #jobs #jobalerts #withoutinvestmentjob"

‘Kishkindhapuri’ Movie Review: A Familiar Yet Engaging Horror Ride Telugu cinema’s fascination with horror-thriller hybrids continues with Kishkindhapuri, directed by Koushik Pegallapati and starring Bellamkonda Sai Sreenivas alongside Anupama Parameswaran. The film promises a mix of horror, humour, mythological undertones, and emotional drama — and while it doesn’t reinvent the wheel, it delivers a fairly watchable experience.

  

A Familiar Premise with a Twist

The story begins with a haunting tragedy at a radio station in the 1980s and later transitions into a modern-day setup. Raghav (Bellamkonda Sreenivas) and Mythili (Anupama Parameswaran), a couple deeply in love, run “ghost walking tours” that exploit the fears of their participants. What starts as playful theatrics soon turns into a real paranormal experience when the duo and their customers enter an abandoned building harboring sinister secrets.

The film opens with a cleverly designed Ramayana-inspired touch — Kishkindhapuri is portrayed as a “monkey kingdom,” and Raghav’s heroism is introduced through a daring rescue at a Hanuman temple. The mythological flavor adds depth, even if it occasionally feels surface-level.

Storytelling and Style

Koushik Pegallapati’s direction keeps the pace brisk and the tone balanced between suspense and humour. The screenplay avoids excessive melodrama and instead focuses on maintaining tension through clever jump scares and witty moments. The self-aware humor, especially scenes involving fake ghost stories gone wrong, works well and provides a breather from the eerie atmosphere.

The flashback segment, presented through an unreliable narrator, is one of the film’s standout storytelling choices. It cleverly blurs the line between truth and illusion, adding intrigue to the spirit’s identity and motivations. However, as the climax approaches, the film’s momentum falters, leaning too heavily into conventional superstition and ritual tropes.

Performances

Bellamkonda Sai Sreenivas delivers one of his more grounded performances, showing a believable mix of strength and vulnerability. Anupama Parameswaran complements him well, managing both emotional and suspense-driven scenes with ease. Supporting actors like Sudarshan, Hyper Aadi, Tanikella Bharani, and Makrand Deshpande add texture to the narrative, while Sandy (Visravaputra) impresses yet again with his raw intensity.

Technical Aspects

Composer Sam CS enhances the horror mood with an atmospheric score, though the music sometimes feels overbearing in the final act. The cinematography successfully blends the two timelines, while the production design effectively captures the eerie essence of Kishkindhapuri’s haunted locations. However, the sound and art direction occasionally feel inconsistent, slightly weakening the immersion.

Verdict

Kishkindhapuri is a horror entertainer that knows its limits. It doesn’t aim for groundbreaking innovation but sticks to a formula that works for mainstream audiences. Drawing influences from Kanchana 3, Virupaksha, and Ekkadiki Pothavu Chinnavada, it still manages to carve out a space for itself through clever pacing, a strong lead performance, and a few smart twists.

If you’re looking for a weekend watch that keeps you engaged without demanding too much, Kishkindhapuri fits the bill — a safe yet satisfying horror outing that blends myth, suspense, and masala in equal measure.

Rating: ⭐⭐⭐ (3/5)

Watch it for Bellamkonda’s performance, the playful narrative, and the intriguing flashback twist.\

"This Content Sponsored by SBO Digital Marketing.

Mobile-Based Part-Time Job Opportunity by SBO!

Earn money online by doing simple content publishing and sharing tasks. Here's how:

• Job Type: Mobile-based part-time work
• Work Involves:
• • Content publishing
  • Content sharing on social media
• Time Required: As little as 1 hour a day
• Earnings: ₹300 or more daily
• Requirements:
• • Active Facebook and Instagram account
  • Basic knowledge of using mobile and social media

For more details:

WhatsApp your Name and Qualification to 9943990669

a.Online Part Time Jobs from Home

b.Work from Home Jobs Without Investment

c.Freelance Jobs Online for Students

d.Mobile Based Online Jobs

e.Daily Payment Online Jobs

Keyword & Tag: #OnlinePartTimeJob #WorkFromHome #EarnMoneyOnline #PartTimeJob #jobs #jobalerts #withoutinvestmentjob"

‘Dude’ movie review: Pradeep Ranganathan’s goofiness powers this Gen-Z love tale While Pradeep and Mamitha Baiju score, the other characters could have shone too with better writing

 

Dude (2025)

🎬 Quick Facts

• Director: Keerthiswaran (debut) (Wikipedia)

• Cast: Pradeep Ranganathan (Agan), Mamitha Baiju (Kayal) + Sarath Kumar in a key role. (Wikipedia)

• Genre: Romantic comedy with Gen-Z flavour & social commentary

• Release Date: 17 October 2025 (Diwali) (Wikipedia)

• Runtime: Approx. 140 minutes (The Times of India)

• Language: Tamil (with broader release) (Wikipedia)

---

✅ What Works

• Pradeep Ranganathan brings his familiar goofy-charm and is at his best in humorous scenes and in certain emotional moments. (Wikipedia)

• Mamitha Baiju holds her own — especially when her character is caught in conflict and emotional tug-of-war. (Wikipedia)

• The film’s first half has enough spark and novelty: fun setups, vibrant frames, good chemistry between the leads. (Lensmen Reviews)

• Music & cinematography get positive nods: colour-pop frames, a song sequence shot in live-location Chennai (‘Oorum Blood’) stands out. (Wikipedia)

---

⚠️ Where It Falters

• The second half is widely considered uneven: the momentum drops, writing becomes slack, and character arcs stretch thin. (www.greatandhra.com)

• Supporting characters and subplots are under-written: e.g., Sarath Kumar’s arc has potential but changes feel abrupt and convenient. (Wikipedia)

• Some viewers feel that while the film promises something fresh, it doesn’t fully deliver in terms of narrative depth — especially for its length. (Lensmen Reviews)

---

🎯 Thematic & Style Highlights

• The film explores friendship-turning-to-love between childhood companions (Agan & Kayal) in a modern, “Gen-Z” style context. (Wikipedia)

• It plays with familiar Tamil-cinema tropes (weddings, family expectations, social status) but attempts to infuse fresh treatment and humour. (Baradwaj Rangan)

• The tone swings between light comedy and serious relational drama — when balanced, it works; when not, the shifts feel jarring.

---

📌 Verdict

If you’re heading to the theatre for a fun, youthful romantic entertainer and are a fan of Pradeep Ranganathan’s style, Dude is worthwhile. It has moments of real charm and loads of good will. However, if you expect tight narrative, deep character arcs and flawless craft, you may feel some disappointment in the latter part.

Rating Estimate: ~3 / 5 stars (depending on which half you weigh more heavily)

---

📝 Final Thought

“Dude” marks a solid step for Pradeep Ranganathan as a lead who can carry a commercial entertainer with heart. The film’s strengths lie in screen presence, moments of freshness, and style. Its weaknesses lie in conventional writing and pacing issues.

---

Would you like me to pull together a detailed breakdown of the film’s key sequences (interval block, emotional climax, music highlights), box-office performance, and OTT streaming details?

"This Content Sponsored by SBO Digital Marketing.

Mobile-Based Part-Time Job Opportunity by SBO!

Earn money online by doing simple content publishing and sharing tasks. Here's how:

• Job Type: Mobile-based part-time work
• Work Involves:
• • Content publishing
  • Content sharing on social media
• Time Required: As little as 1 hour a day
• Earnings: ₹300 or more daily
• Requirements:
• • Active Facebook and Instagram account
  • Basic knowledge of using mobile and social media

For more details:

WhatsApp your Name and Qualification to 9943990669

a.Online Part Time Jobs from Home

b.Work from Home Jobs Without Investment

c.Freelance Jobs Online for Students

d.Mobile Based Online Jobs

e.Daily Payment Online Jobs

Keyword & Tag: #OnlinePartTimeJob #WorkFromHome #EarnMoneyOnline #PartTimeJob #jobs #jobalerts #withoutinvestmentjob"

‘Bison Kaalamaadan’ Movie Review: Dhruv Vikram Blazes in Mari Selvaraj’s Most Mainstream Yet Most Political Film

  

Here’s a blog-style review for Bison Kaalamaadan that captures its themes, performances, and cinematic brilliance for general readers:

Rating: ★★★★½ (4.5/5)

Genre: Social Sports Drama / Political Action / Biopic

---

Mari Selvaraj’s Bison Kaalamaadan is a thunderous, emotionally charged film that lands every punch it throws — be it against caste oppression, systemic discrimination, or the politics embedded in sports and identity. With a searing performance from Dhruv Vikram, this is Mari’s most accessible work yet, without compromising his trademark political edge.

---

🏆 A Story Rooted in Pain and Perseverance

Inspired by the life of Arjuna awardee Manathi Ganesan, Bison Kaalamaadan follows Kittaan, a young boy with dreams of becoming a national Kabaddi champion. But his journey is anything but straightforward — born into a deeply divided and caste-torn town, Kittaan must fight not just on the Kabaddi mat, but against a world that constantly tells him he doesn’t belong.

From feuding caste leaders to family conflicts, and from personal loss to institutional bias, every step forward for Kittaan is a rebellion. He doesn’t just play Kabaddi — he survives through it.

---

🎭 Dhruv Vikram’s Fiery Transformation

In what is arguably his most defining role yet, Dhruv Vikram becomes Kittaan — physically, emotionally, and spiritually. His brooding intensity, athletic transformation, and control in emotionally loaded scenes bring Mari’s hero to life. Whether he's unleashing rage or expressing quiet despair, Dhruv gives a performance that’s raw, believable, and deeply affecting.

---

🎬 Mari Selvaraj’s Political Voice, Now Louder Than Ever

While Bison is Mari’s most commercially structured film (complete with montages, action arcs, and an underdog sports narrative), the political subtext is anything but diluted. This is still Mari Selvaraj — the filmmaker who weaponizes cinema to question oppressive structures. The dialogues are razor-sharp and confrontational:

“When have they ever written our names so easily?”

He doesn’t just tell a story about sport — he tells a story about identity, resistance, and what it means to win in a system that was never designed for you to succeed.

---

⚔️ Caste Violence, Social Commentary, and Gut-Wrenching Visuals

Mari doesn’t shy away from showing the brutalities of caste violence. The film features scenes that are graphic, chilling, and necessary. Two caste leaders, played by Ameer Sultan and Lal, represent the duality of power struggles — what began as a fight for justice has now turned into a thirst for dominance.

But Kittaan? He doesn’t want power. He just wants to play.

---

❤️ Subtle Romance, Symbolism, and Surrealism

In an unexpected yet refreshing angle, Bison features a mature romance between Kittaan and an older woman, Rani (Anupama Parameswaran), quietly breaking yet another social norm.

Mari also layers the film with spiritual imagery — local deities, sacred goats, and haunting dream sequences — to tie Kittaan’s personal journey to a collective cultural trauma and redemption.

---

🏉 Sports Drama with Real Stakes

Kabaddi, a sport not often explored in Tamil cinema, becomes the heartbeat of Bison. The matches are gritty, choreographed with intensity, and carry emotional weight. Each raid, each point scored, is not just a moment in a game — it’s a moment of defiance. The climax at the 1994 Asian Games is both a sporting high and a symbolic catharsis.

---

📸 Stunning Visuals and Soundtrack

With sweeping drone shots, poetic montages, and deeply immersive cinematography, Bison is visually breathtaking. Mari brings his village to life, not as a backdrop, but as a character in itself. The music elevates the emotion without overshadowing the story — every beat, every silence, serves the narrative.

---

👏 Final Verdict

Bison Kaalamaadan is more than a sports film. It’s a protest. A love letter. A battle cry.

Mari Selvaraj cements his place as the most daring and visionary voice in Tamil cinema today. And Dhruv Vikram? He’s no longer just a star kid — with this film, he’s an actor to reckon with.

If Karnan was fire, Bison is a wildfire — unpredictable, unapologetic, and unforgettable.

---

⭐ Blog Highlights:

• Must Watch For: Fans of hard-hitting social dramas, political cinema, sports underdog stories.

• Don’t Watch If: You're uncomfortable with raw depictions of caste violence or heavy political themes.

• Standout Performance: Dhruv Vikram as Kittaan — a career-defining role.

• Director’s Masterstroke: Mari’s ability to blend multiple genres — sports, political action, gangster drama — into one cohesive experience.

---

What did you think of Bison Kaalamaadan? Share your thoughts in the comments!

Would you like a shorter version for social media or a visual review format?

"This Content Sponsored by SBO Digital Marketing.

Mobile-Based Part-Time Job Opportunity by SBO!

Earn money online by doing simple content publishing and sharing tasks. Here's how:

·         Job Type: Mobile-based part-time work

·         Work Involves:

·          

o    Content publishing

o    Content sharing on social media

·         Time Required: As little as 1 hour a day

·         Earnings: ₹300 or more daily

·         Requirements:

·          

o    Active Facebook and Instagram account

o    Basic knowledge of using mobile and social media

For more details:

WhatsApp your Name and Qualification to 9943990669

a.Online Part Time Jobs from Home

b.Work from Home Jobs Without Investment

c.Freelance Jobs Online for Students

d.Mobile Based Online Jobs

e.Daily Payment Online Jobs

Keyword & Tag: #OnlinePartTimeJob #WorkFromHome #EarnMoneyOnline #PartTimeJob #jobs #jobalerts #withoutinvestmentjob"

 

Idli Kadai Movie Synopsis: A young man who's about to get married into a multi-millionaire's family rediscovers his roots and decides to run his father's idli shop. Can he win back the trust of his villagers and tackle the egoistic millionaire's son, who is determined to bring him down at all cost?

Idli Kadai Movie Review: Right from his first film, Pa. Pandi, Dhanush has shown that he is attracted to stories that involves sentimentality and nostalgia. His Idli Kadai is entirely driven by these two feelings, to the extent that it feels overwhelming.

Dhanush begins the film with a prologue that shows us why Sivanesan's (Raj Kiran) idli kadai matters to Murugan (Dhanush), his son.

But when we first see him, Murugan's aspirations are far removed from his father's philosophy. While the father finds contentment in living in his small village and running his small idli shop, the son dreams of a "mempatta vaazhkai" involving big houses, cars and lots of money. And so we find him in Bangkok, working for multi-millionaire Vishnu Vardhan (Sathyaraj), being the fiancé to his daughter, Meera (Shalini Pandey), and the punch bag to his spoiled brat of a son, Ashwin (Arun Vijay). But circumstances lead to Murugan to returning to his village, where he ends up taking charge of his father's shop, which holds a special place in the hearts of the villagers. Meanwhile, an ego-hurt Ashwin is determined to bring him down at all cost.

Like with his previous film, Nilavukku En Mel Ennadi Kobam, which its tagline described as "A usual love story"

, Dhanush sets the bar low even with Idli Kadai. The film, as he informs in the title credits, is a story woven based on a place and people he had come across as a young boy. So, it's no surprise that the plot he uses to tell this tale feels like a carefully constructed one that borrows elements that we have seen in several films. Thus, we end up with an all-too familiar story that's populated by one-note characters - saintly parents, caricaturish villains, supportive school crush, scheming local, a corrupt cop with a softer side and so on. While unabashed melodrama isn't a bad thing, here, things feel calculated and quite predictable. Even the angle about Murugan choosing to stick to his father's pacifist ideology and not counter Ashwin with violence isn't explored in an interesting manner. And in trying to be rooted, there are aspects to the film - like guilt-tripping those who might have moved away from their roots (or even aspire to do so) for a better living, portraying technological advancements as inferior - that feel regressive.

That said, Dhanush does clear the bar that he has set for himself. There are moments when the emotions work

and the actors pitch in with performances that manage to elevate the simplistic way in which their characters are written. The way the romance between Murugan and Kayal (Nithya Menen) is developed also deserves mention, and feels like a new spin on the Kamal Haasan-Revathy episodes in Thevar Magan (another case of a young man with dreams of opening a chain of restaurants and engaged to a city-bred woman returning to his roots and ending up in love with a village belle). There's conviction in the filmmaking that makes us overlook several of the film's flaws. But what's hard to shake off is the feeling that given his talents, Dhanush should be more ambitious as a storyteller and not be content with just being a nostalgia merchant.

"This Content Sponsored by SBO Digital Marketing.

Mobile-Based Part-Time Job Opportunity by SBO!

Earn money online by doing simple content publishing and sharing tasks. Here's how:

·         Job Type: Mobile-based part-time work

·         Work Involves:

·          

o    Content publishing

o    Content sharing on social media

·         Time Required: As little as 1 hour a day

·         Earnings: ₹300 or more daily

·         Requirements:

·          

o    Active Facebook and Instagram account

o    Basic knowledge of using mobile and social media

For more details:

WhatsApp your Name and Qualification to 9943990669

a.Online Part Time Jobs from Home

b.Work from Home Jobs Without Investment

c.Freelance Jobs Online for Students

d.Mobile Based Online Jobs

e.Daily Payment Online Jobs

Keyword & Tag: #OnlinePartTimeJob #WorkFromHome #EarnMoneyOnline #PartTimeJob #jobs #jobalerts #withoutinvestmentjob"

 

DNA Movie Review: Strong writing meets solid performances in this tense emotional thriller

 

DNA Movie Synopsis:

A young woman with borderline personality disorder claims that her newborn baby has been swapped for another minutes after her delivery. With not many believing her, can her loving husband, a former drug addict, investigate and track down the baby before it's too late?

DNA Movie Review: When we first see Divya (Nimisha Sajayan) and Anand (Atharvaa), the protagonists of Nelson Venkatesan's DNA (the title is a clever play on their initials and on the issue the film deals with), they come across as flawed individuals who even their own families see as a burden. Divya has borderline multiple disorder, which has made it difficult to get her married, much to the frustration of her mother (Viji Chandrasekhar). Anand, on the other hand, has become a drug addict following a failed romance, and is an embarrassment to his family of highly educated individuals, particularly his father Siva Subramaniam (Chethan).

By a quirk of fate, they end up getting married, but their relationship turns things around for them. And when Divya gets pregnant, they are understandably overjoyed. But minutes after her delivery, Divya says her actual newborn has been switched with another baby - a claim that seems far-fetched given that all evidence seems to be stacked against what she's saying. But Anand decides to investigate, and finds out she isn't imagining things. What happened to their baby, and can he track it down before it's too late?

With DNA, Nelson Venkatesan delivers a tightly knit suspense thriller about two flawed individuals discovering themselves through their marriage, and later, through the search for their missing newborn. The filmmaker takes us through the dark underbelly of the child abduction scene in the city, and keeps up the suspense — whether Divya and Anand would be able to track down their child before it's too late — right till the climax.

It helps that the actors deliver solid performances that capture the depth of the writing of their characters. We first see Anand as just another young man who hasn't been able to reconcile with a love failure, but when we eventually get to know the real reason, we can't help but be empathetic, and Atharvaa convinces us both when he breaks down and later when he has to turn into an action hero. Nimisha does a tightrope walk playing a character whose mental health isn't perfect without making her into a typical Tamil cinema 'loosu ponnu'. Then we have Balaji Sakthivel's Chinnaswamy, a cop who's just three weeks away from retirement, helping Anand. While he initially seems unwilling, he later sticks on with Anand till the end and Nelson shows it with a single shot without explaining it through dialogues. Even one of the antagonists — an.old woman — is given a solid reason explaining why she doesn't view what she does as crime.

The director is also ably helped by his technicians - Parthiban's cinematography adds mood, and the lighting in a stunt in an under-construction building, in particular, is a highlight. Then there's Ghibran Vaibodha, whose superb background score works in tandem with Sabu Joseph's sharp cuts to amp up the tension; the duo delivers stellar work in the climax.

That said, the film would have benefitted better in terms of songs. Nelson's decision to go with five young composers might be experimental, but the absence of his regular composer Justin Prabhakaran is clearly felt here. In fact, the film could have done away with two bar songs, which sound so generic. Some of the supporting characters, like Ramesh Thilak, who plays Anand's lawyer friend, and Anand's father, kind of disappear after seeming prominent in the initial portions. And given the number of violent individuals Anand faces in his search, it would have added to the plausibility when we see him take on dozens of them multiple times.

But he makes up for these minor missteps in the climax where he dials up the tension to deliver one of the most edge-of-the-seat suspenseful and emotionally super-charged endings that we have seen in recent times. The way in which he weaves in the film's philosophy - Thappu senja yaarume thappikaradhilla.. Thandanaikaana kaalam thalli pogudhu - in the end is truly whistle-worthy.

In these times when many a promising filmmaker seems to be looking at their initial successes as only the next step towards landing the next bigger star's project, it's really heartening to see a filmmaker continuing to put his script first and quietly work towards building a formidable filmography.

"This Content Sponsored by SBO Digital Marketing.

Mobile-Based Part-Time Job Opportunity by SBO!

Earn money online by doing simple content publishing and sharing tasks. Here's how:

Job Type: Mobile-based part-time work

Work Involves:

Content publishing

Content sharing on social media

Time Required: As little as 1 hour a day

Earnings: ₹300 or more daily

Requirements:

Active Facebook and Instagram account

Basic knowledge of using mobile and social media

For more details:

WhatsApp your Name and Qualification to 9943990669

a.Online Part Time Jobs from Home

b.Work from Home Jobs Without Investment

c.Freelance Jobs Online for Students

d.Mobile Based Online Jobs

e.Daily Payment Online Jobs

Keyword & Tag: #OnlinePartTimeJob #WorkFromHome #EarnMoneyOnline #PartTimeJob #jobs #jobalerts #withoutinvestmentjob"