
Pari (played by Suriya),
also known as Parivel Kannan, lives almost like a servant under his adoptive father Thilak (Joju George). Pari is in love with Rukmani (Pooja Hegde). But for their love to lead to marriage, Rukmani insists that Pari must free himself from Thilak’s dominance and violence. Out of love, Pari chooses a peaceful life and decides to let go of everything, but from that moment, problems begin to unfold. Why is Pari surrounded by so much trouble? Did his love succeed? These questions form the rest of the story.
Suriya delivers a heartfelt performance as always,
pouring emotion into his character and romance. Under Karthik Subbaraj’s direction, he appears even smarter and more charismatic. Given the effort the team has put in for Suriya, it would have been better if Pooja Hegde’s character had received more visual emphasis as the female lead. While she acts well and shines in romantic scenes, for a heroine who is loved so deeply by the protagonist, her portrayal could have been more striking. This is where the director falls short.
Joju George
seems to be typecast in submissive roles when acting in Tamil films. He deserves more diverse characters. That said, his performance in this film is solid. Vidhu leaves a strong impression with his freshness and energy—viewers are left wondering, “Who is this new face?” Veterans like Prakash Raj, Jayaram, and Nasser handle their roles well, as expected.The film’s biggest strength is its music. Even before release, the soundtrack—especially the hit track “Kanima”—attracted attention and will certainly draw crowds to the theater. Another standout is “Kannadi Poove”, a soulful love song that evokes memories of “Anjala” from Vaaranam Aayiram. Suriya shines especially in this melancholic number.
Shreyaas Krishna’s cinematography
turns the Andaman Islands into a visual feast. He paints Karthik Subbaraj’s vision with vibrant colors. Editor Shafi Mohammed Ali seems to have struggled with pacing; the film feels overly long. It’s evident that Karthik Subbaraj was determined to tell the story in chapters, but this decision has led to an overload of scenes and extended runtime.The age-old storyline of an oppressed group waiting for a savior continues to be retold—how long will this trope persist? Even with a seasoned actor like Suriya, is it still necessary to depict love as an ocean-crossing ordeal?
Another highlight of the film is the action. Stunt choreographer Kicha delivers impactful and mass-appealing fight sequences.
Overall , Retro is a colorful, Karthik Subbaraj-style film, with music by Santhosh Narayanan. For fans who’ve seen this director-composer duo work magic with actors like Vijay Sethupathi, Vikram, Dhanush, and Superstar Rajinikanth, this Suriya-starrer is not to be missed. For those disappointed by Kanguva, this film might serve as a much-needed remedy.
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